|Saturday, July 12th, 2014 7:00 PM|
CruCon Cruise Outlet Main StageTHAT GIRL TOUR 2014
Magic Hat StageHeather Pierson (5:00 PM)
Extra InformationParking Opens: 4:00 PM
Doors Open: 5:00 PM
Audio Recording: No
Video Recording: No
Flash Photography: No
Food & Drink: No
*Non-Professional photography / no zoom lenses larger than 2 inches / no detachable lenses
OnSales & PreSales
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Inner Circle PresaleBecome part of the Inner Circle and always be the first group to get in. Members also get their own entrance, own bar lounge and their own private restrooms!
|Reserved Seating (Covered Pavilion)-P1||$59.00||$9.75||$68.75|
|Reserved Seating (Covered Pavilion)-P2||$39.00||$8.75||$47.75|
|The Beringer Club (Covered Including Cocktail Service)||$64.00||$10.75||$74.75|
|Reserved Seating (Covered Pavilion)-P3||$29.00||$7.75||$36.75|
|Moxie Energy Lawn (Uncovered-General Admission)||$23.00||$6.75||$29.75|
Jennifer Odessa Nettles (born September 12, 1974) is an American country music artist. She is known partially for her role as lead vocalist of the duo Sugarland alongside Kristian Bush. Before Sugarland's inception, she also fronted Atlanta-based bands called Soul Miner's Daughter and Jennifer Nettles Band. She also charted as a duet partner on the country version of rock band Bon Jovi's 2006 single "Who Says You Can't Go Home", a #1 hit on the Billboard country charts.
Nettles began performing at school assemblies, her Southern Baptist church, and in Community Theater. She was also a member of Georgia 4-H's Clovers & Company performing arts group from 1986 to 1993.
Nettles studied Sociology and Anthropology at Agnes Scott College in Decatur, Georgia, and graduated in 1997. While a student there, Nettles and Cory Jones (who at the time was studying classical guitar at the University of Georgia) formed the group Soul Miner’s Daughter. Performing as both an acoustic duo and with a band, they released two albums: The Sacred and Profane in 1996 and Hallelujah in 1998, both of which were composed of songs written collaboratively by Jones and Nettles. Soul Miner's Daughter was invited to perform at the Atlanta installment of Lilith Fair in 1999.
In 1999, she formed the Jennifer Nettles Band, with which she released three studio albums and two live albums. The band, which in addition to Nettles included Brad Sikes (drums), Scott Nicholson (piano), Wesley Lupold (bass), and Mike Cebulski (percussion), was selected the grand prize winner from more than 2000 bands in "The Big Deal $100,000 Music Search" presented by Mars Music.
In 2003, Nettles teamed up with Kristen Hall and Kristian Bush to form Sugarland. Regarding the trio's collaboration, she said: "We really wanted to get out of where we had all been as artists and move beyond that to something bigger. Consequently all the songs reflect that; 'Fly Away,' 'Baby Girl,' all of those songs - you speak to the human condition and write what you know in your life."
Sugarland was nominated for a Grammy award in the Best New Artist category in 2006. Although they did not win the award, Nettles and Bush performed for the awards show and Nettles presented both a Lifetime Achievement Award to Merle Haggard and the award for Best Country Group.
A duet performance with rock band Bon Jovi, "Who Says You Can't Go Home", reached No. 7 on the Bubbling Under Hot 100 chart and No. 1 on the Billboard Hot Country Singles chart. The video for the song won a CMT Music Award in 2006 for Collaborative Video Of The Year. In February 2007, Nettles and Bon Jovi won a Grammy for Best Country Vocal Collaboration. In 2006, Kristen Hall left the group and Nettles and Bush continued on as a duo releasing Enjoy the Ride in November 2006. Their third album, titled Love on the Inside, was released on July 22, 2008.
In early December 2008, Sugarland received three Grammy Award nominations and performed on the 51st Annual Grammy Awards show on February 8, 2009. They won awards for Best Country Song and Best Country Performance by a Duo or Group.
On Sunday, January 18, 2009, Nettles performed James Taylor's "Shower the People" with James Taylor and John Legend.
On February 11, 2009, Sugarland received two nominations from the Academy of Country Music for Top Vocal Duo and Vocal Event of the Year for "Life in a Northern Town". During the broadcast of the April 5, 2009 awards show, Sugarland was presented with the Vocal Duo of the Year award. Nettles also received a Milestone award.
ABC-TV broadcast the first CMA Country Christmas, hosted by Nettles, on November 29, 2010. Nettles and Sugarland partner Kristian Bush kicked off the evening with their rendition of "Winter Wonderland," backed by Little Big Town. The pair returned to the stage later in the program to perform the hymn "Come, O Come Emmanuel," just before the "Jingle Bell Rock," group grand finale of the 90-minute special.
Nettles announced in May 2013 that she would begin working on a solo album. Her first solo single, "That Girl", was released in August 2013. Nettles co-wrote the song with Butch Walker, and Rick Rubin produced it. The album, also titled That Girl, was released on January 14, 2014. "Re-creation". (Remove the dash.) "Recreation". Yep, that about sums it up. Every few years, whether one is aware or not, we humans tend to recreate ourselves. For me it is some of the most fun "recreation" that exists. That is why I am singing from the rafters (pun intended) in celebration of my new solo project: "That Girl". – Jennifer Nettles
“The making of That Girl.” We tracked 21 songs and out of those 21, Rick and I made our own independent lists of "yes/no/maybes". Those we had in common made the album. Those we had in common also came together to tell stories of nostalgia, longing, loss. They spun tales of unintentional betrayal, of jealousy, of motherhood, of love. They were all, in one way or another, the legend of rediscovering oneself. Of course, to me, that is what all art does: it offers a new way to see your life, your past and yourself.
Amy Ray and Emily Saliers are Indigo Girls. Rolling Stone describes them as the “ideal duet partners. Their voices soar and swoop as one, alternately raucous and soothing. When they sing together, they radiate a sense of shared purpose that adds muscle to their lanky, deeply felt folk-tinged pop songs”. Together they write, arrange, record and perform music which over the course of twenty five years has become a vital part of the lives of their legion of devoted fans around the world, informing and rewarding them day to day.
With twelve original studio albums, three live records, various Greatest Hits compilations, a Rarities and a Christmas record to their credit, the iconic duo continues to challenge itself creatively, over and over again, adding to a body of work that contains such contemporary classic songs as Galileo, Shame on You, Closer To Fine, Kid Fears, Love of Our Lives, Making Promises, Get out the Map, Moment of Forgiveness, Least Complicated and Go. After numerous Grammy nominations and awards and gold and platinum certifications and decades of touring in clubs, arenas and everything in between, Indigo Girls remain active and relevant, always viewing their music as a fresh opportunity for exploration and discovery. “We really work hard to not lean on any tried and true path in making our albums,” says Ray. “So when it comes to writing new songs and working and performing with different musicians, every record and every tour feels like a completely different adventure for us.
Amy and Emily first met as fifth and sixth-graders in Decatur, Georgia and began singing together during high school. Originally billed as Saliers & Ray, the pair adopted the name Indigo Girls during their undergraduate days at Atlanta’s Emory University. The Indigos were attending classes by day and performing as an acoustic duo in local clubs by night when they made their first stab at recording in 1985 with the single Crazy Game / Everybody’s Waiting (for Someone To Come Home) which they issued on their own label, followed by an EP and in 1987, their first full length LP, Strange Fire, produced by John Keane.
In 1988, the big-time beckoned Indigo Girls. Signed to Epic Records and EMI Music, they recorded Indigo Girls with producer Scott Litt at Ocean Way Studios in L.A. With Amy and Emily on vocals and acoustic guitars, Indigo Girls featured contributions from REM, Hothouse Flowers and Luka Bloom. The record was released in 1989 (the Boston Globe stated “The Indigo Girls have simply made the best debut album so far this year”) and the Indigo Girls began criss-crossing the country on tour (a process that has continued without pause throughout their career) headlining or supporting the likes of REM, Neil Young and the Violent Femmes.
Decades into their career, the Indigo Girls still amaze conventional pundits with their ability to grow and thrive no matter what the state of the music industry is at any given point. The duo’s constant touring, as well as staunch dedication to a number of social and environmental causes, has earned them a fervidly devoted following over the years. So many artists who launched their careers in the late 1980s have slipped from our collective memory. In contrast, the Indigo Girls stand tall, having earned the lasting respect and devotion of a multi-generational audience which continues to experience their creative evolution in the studio and on stage. The adventure may take the form of an adrenaline-fueled live CD or a warm reflective holiday album or a collection of songs that can veer from the raucous to intimate in the blink of an eye. No matter where their creative journey takes them, they hold out a hand to their listeners and we get to feel it all.
Born and raised in the small Washington mill town of Morton, in the shadow of Mount St. Helens, which erupted when she was just a little girl, Brandy developed an affection for working-class people and the dangerous jobs many of them undertake to make ends meet.
“I love characters,” says Brandy. “When Mount St. Helens erupted, I remember my grandmother just standing on the porch, smoking a cigarette, and watching the hot mud fall from the sky. My grandmother was my favorite character in life.”
12 Stories, Brandy’s debut album as an artist, is full of diverse characters. There’s the woman in first single “Stripes” who fantasizes about killing her cheating husband, but doesn’t want to be caught dead in an orange jumpsuit. There’s another who asks Jesus for help, but plays the lottery just in case in “Pray to Jesus.” And there’s the bored housewife in “Get High” who escapes daily drudgery by rolling joints at the kitchen table.
“I get my inspiration from real people who are just surviving their life and getting through their day. That’s who I write songs for,” explains Brandy. “I want to write songs for somebody who is working at a bank—if that person could write a song, what they would write. That’s my goal.”
Prior to 12 Stories, Brandy achieved that goal by penning songs for other artists. Reba McEntire and Kenny Rogers have both recorded her songs. Darius Rucker, Sheryl Crow and Kacey Musgraves have Brandy compositions on their new albums. And The Band Perry gave Brandy her first No. 1 single with “Better Dig Two,” followed shortly after by another No. 1 in “Mama’s Broken Heart,” cut by Miranda Lambert.
They are all milestones for Brandy the songwriter, but 12 Stories aims to establish Brandy as a performing artist. The album, a collection of a dozen songs ranging from rollicking back-porch jams like “Crazy Women” to vulnerable tear-at-your-heart ballads like “Hold My Hand,” seemed to have birthed itself.
Teaming up with producer Dave Brainard Brandy used her writing gift and distinctly country voice to craft a record that has touched everyone lucky enough to hear it. Marty Stuart is a vocal fan, as are Miranda Lambert, Sheryl Crow and Kacey Musgraves. All of them are attracted to Brandy’s unfiltered take on the human experience, its joys and especially its frailties.
Ironically, 12 Stories the album is not. Instead, all of its characters and their individual troubles combine to make a clear-eyed document of everyday life in the 21st century, as well as the freshest project to come out of Nashville in years. 12 Stories is dryly humorous, moving, sad and, most of all, real.